Música para pelucas es la obra fundacional de la compañía Talía Falconi-Federico Valdez, que ve la luz luego de un proceso intensivo de exploración, investigación, práctica, reflexión y contaminación mutua.
Es una obra dividida en 4 escenas independientes pero complementarias, materializa la búsqueda de un espaciotiempo escénico a partir del movimiento y el sonido como ejes principales, desarrollando además una cierta perspectiva teatral que se sustenta en la creación de personajes -a través de la peluca en cuanto detonador de sentido- y en la interacción de ambos intérpretes escénicos para instaurar una dramaturgia particular, en la cual espacio, tiempo, movimiento y sonido se contaminan y se conjugan, generando una trama no lineal donde se funden y se confunden realidad, sueño, ficción y posibilidad.
Creación y dirección Talía Falconi y Federea
Intérpretes Talía Falconi y Federea
Duración 1 hora.
Music for wigs is the foundational work of the company, which sees the light after an intensive process of exploration, research, practice, reflection and mutual contamination.
This is a work divided into four separate but complementary scenes, it embodies the search for a scenic spacetime from the movement and the sound as principal axes, but also developing some theatrical perspective that is based on the creation of characters -through wig as sense-detonator- and on the interaction of both performers on the stage to establish a special dramaturgy in which space, time, motion and sound are contaminated and are combined, generating a non-linear storyline where they melt and blur reality, dream, fiction and possibility.
This is a work divided into four separate but complementary scenes, it embodies the search for a scenic spacetime from the movement and the sound as principal axes, but also developing some theatrical perspective that is based on the creation of characters -through wig as sense-detonator- and on the interaction of both performers on the stage to establish a special dramaturgy in which space, time, motion and sound are contaminated and are combined, generating a non-linear storyline where they melt and blur reality, dream, fiction and possibility.
Fotos: Eduardo Gómez